Circa
|
618 AD to 906 AD
|
Dimensions
|
12.25″ (31.1cm) high
|
Medium
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Painted Terracotta
|
Origin
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China
|
During the Tang
dynasty, China enjoyed a period of consolidation, achievement, and confidence. Tang
art tends to reflect this assurance in its realism, energy, and dignity.
Pottery of this era is often compared to that of Classical Greece for the
sophisticated achievements in sculpting and modeling. This statue resembles a
portrait of an individual horse with its lifelike modeling and expressive
facial features. Individual hairs of the mane and tail have been carefully
painted onto the surface, in addition to the horse’s eye and reigns and
harness, heightening the naturalism of the work. Furthermore, this work is
notable for the position of the horse’s head, gently turned to the side, with
an arched neck. Strong, noble, and splendid, this terracotta horse conveys the
love and admiration that Tang society felt toward its steeds. As horses were
often symbols of the afterlife, this funerary statue seems to be ready to bear
his owner into the afterlife on his saddle, which still bears some remnants of
the original orange polychrome that once brightly colored it. Horses held
particular significance with Tang rulers and aristocrats, who relied on them
for military preparedness and diplomatic policy. In addition, they were also
revered for their religious significance: ancient tradition linked them to the
dragon, designating them as supernatural creatures. Clearly, this horse was a
beloved creature buried alongside the deceased to accompany him throughout
eternity. This horse is ready to gallop across the eternal fields of the
afterlife, carrying the spirit of the deceased upon its back.
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